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The Chelmsford Quilt Guild Library Book Reviews, May 2010
The Ultimate Sashiko Source Book, Susan Briscoe
When
I signed up for a Sashiko Sampler Block of the Month class I had no idea what
was ahead of me. I was attracted by the lovely sample with its appealing
indigo and white motifs and the challenge of doing some handwork again. I
did find it challenging, but also relaxing and rewarding. Perhaps this book
will provide you with the same impetus to try something new.
I learned many things from this book, beginning on the first page: how to
pronounce "sashiko:" "sash(i)ko (the 'i' is nearly silent.)" A fascinating
history of sashiko stitching follows. The origins greatly resemble that of
traditional patchwork with a strong overlay of Japanese historical and
spiritual tradition.
I wished I had read the section on equipment and materials before I started
my project, as it would have saved me some trials and errors in marking and
choice of wadding (Briscoe's British term for batting). And my finished
product would have been nicer if I had read and followed her basic techniques.
The clear examples of right and wrong stitching filled me with chagrin!
Finally the projects. Briscoe shows wonderfully creative ways to use small
pieces of sashiko stitching to great advantage in framed pictures, greeting
cards, coasters, pincushions, and tablemats. Larger pieces become tote bags,
cushions, and table runners. Then follows a large section featuring many
sashiko stitching designs with tips for stitching them.
The samples in the Inspiration Gallery that rounds out the book will give you
pause with their breathtaking beauty and simple complexity. But hopefully
they won't intimidate you and you will check out this book and get started
on your own sashiko sampler.
Carlene Craib
The Expert's Guide to Foundation Piecing, Jane Hall
Wouldn't
it be fantastic to be able to go to a workshop where fifteen internationally
known experts on a technique each shared her expertise and favorite tips?
Jane Hall has recruited just such a group to delve into the techniques of
foundation piecing. She first presents a history of the evolution of foundation
piecing from the earliest log cabin designs of the early 19th century in Britain
to the most recent developments in pictorial designs.
An overview of basic techniques follows, and then the experts take over. Each
one presents complete directions for a project incorporating relevant tips for
the particular techniques of her specialty. There is great variety here:
traditional designs from Carol Doak's now familiar sharp points in a floral
star to Jane Hall's pineapple block and Barbara Barber's ring designs. There
are also innovative art quilts designs by Ellen Sullivan and Ruth McDowell.
Another chapter shows folded foundation piecing with three variations, each
one building on the other. Chapters on string piecing and single template
piecing complete the lessons. I had never grasped how Ruth McDowell achieved
her stunning effects until I read this chapter.
The fabulous gallery of quilts at the end will help you decide which might be
the technique that matches your quilting style or maybe will inspire you to
try something completely out of your particular box. Foundation piecing
might be this summer's "new thing" in your quilting repertoire.
Carlene Craib
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